Resumable
Pick up where the last chunk stopped.
Workflow
Source → Understand → Voice → Audio → Video → Shorts → Thumbnail → Content Calendar → YouTube Publishing. One desk. You approve what ships.
The line
The book is understood first. Voices are locked. Audio is mastered in resumable chunks. Picture follows the performance. The calendar ships what you approved.
This is the map. Job-sized pages live under Guides: audiobook generator, text to speech for authors, voice cloning, book to video, book to YouTube. Use this page when you want the whole line in order.
Bring the file or text. Up to a million words.
Characters, names, and structure are indexed.
Library, cloning, pronunciation.
Resumable chunks. Scene-level regenerate.
Cinematic scenes driven by the audio.
Automatic Shorts and Reels from the same performance.
Stills that match the chapter, not stock.
Plan the week in ordinary language.
Schedule from the studio.
Control
Regenerate the scene or the chunk. Do not remake the title. Local-first production keeps cost and wait down.
Pick up where the last chunk stopped.
Fix a hallway without touching chapter one.
Open-source-first where it matters.
Monthly meters
Three separate monthly meters track production volume. They reset on their own schedule. You always see what is left before you start a heavy job.
The studio is free to start with no card required. Each month you get 50,000 words processed toward indexing and speech, 3 Reels rendered, and 1 full video render. These are production caps, not wallet credits.
Word processing covers source understanding and audiobook generation. Reels and video are counted when a render completes. Planning, voice locks, and saved masters do not consume meters until you run production.
Indexing, TTS, and chunked audiobook work against this meter.
Short vertical cuts from your audio master.
Full cinematic render driven by the performance.
At the limit
Production pauses for that meter only. Your project, voice locks, and masters stay on the desk. Nothing is deleted.
If you use all 50,000 words this month, word-heavy jobs wait until the word meter resets. You can still plan the calendar or adjust voices. Reels and video keep their own balances.
When higher-volume plans launch, you can upgrade without rebuilding your pipeline. Until then, the Pricing page shows only what is live today.
Masters and maps remain. Pick up after reset.
Hitting the video cap does not block voice work.
Check remaining allowance inside the studio before you render.
Time Credits
No. Time Credits are never sold, never bought, and never converted to money. They prove contribution inside Intelliverses, not production billing.
Monthly meters gate how much automated production runs on the free desk. Time Credits are a separate platform concept: they reward verified contribution and trust in the network. They do not unlock extra words, Reels, or video renders on checkout.
You will never be asked to purchase Time Credits to finish a title. Production limits are stated plainly on Pricing and in the studio.
Time Credits cannot be cashed out or invoiced to clients.
Paid volume plans will be disclosed on Pricing when ready.
Core production works without buying AI credits.
Approval
You approve calendar slots and YouTube publishes. The desk prepares; you ship.
Plan the week in ordinary language.
Connect YouTube and queue from the publish desk.
Nothing goes live until someone on your team confirms.
Clear answers about the studio, workflow, and limits.
Open the studio, bring a source, let the work be understood, lock voices, then produce audio and picture. Publish when the work is ready.
Source → Understand → Voice → Audio → Video → Shorts → Thumbnail → Content Calendar → YouTube Publishing.
Yes. Scene-level and chunk-level regeneration. You do not remake the book to fix a hallway.
You plan in language and schedule YouTube from the same desk. You remain in charge of what goes live.
Explore
Keep learning how Intelliverses works end to end.
Open the studio. Produce audio, picture, and a calendar from one desk.